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Vladimir Vojvodic, artist painter, born in Sabac in
1958. Graduated from the Academy of Fine Arts in Belgrade
in 1985. Lives and works in Sabac, Serbia, as an independent
artist.
For many years he was exploring different techniques and
mediums. Now, in present time he concentrate his activities
on oil painting and print graphics in their most classical
sense.
Took part in many group exhibitions, biennials and art colonies
in the country and abroad.
Solo exhibited at five cities and his paintings and graphics
are spread on more than a hundred locations all over the World.
PAINTING AS AN IMPULSE
With Vladimir Vojvodic's paintings, an observer can see,
feel and find out what painting really is. Those paintings
are the expressions of calmness, but also of a spiritual adventure,
craft as well as passion and love for painting.
They are essential definitions of what painting can and should
be even today. As a painter who can paint well, he can make
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an artistically challenging scene out of everything, just
like the old masters: a painting with all its complicated
elements and levels. Although it may seem to an untrained
eye that some of his paintings are very skillfully analyzed
photographs of landscapes or painting of the nature by memory,
they are just pure artistic solutions brought to the abstract.
Vojvodic explores the colour, light, space, composition, local
tone, shade and cast shade, details, in the scenes which bring
the joys of painting closer to an observer in the easiest
way.
Harsh, but fluent at the same time, this kind of painting
brings up emotions and caresses the senses. The world of herbs,
meadows, flowers, bushes, trees, forest clearings and paths,
cherry orchards and shadowy skies, is full of flavours and
sounds of nature, those distant and woven ones. His paintings
are the simplest and the most universal, as much as the art
of landscape painting allows it, they are common places where
atmosphere, densities and characters are hidden.
This painter thinks that all exaggerations in art are signs
of weakness. In that sense, Vojvodic finds a limit in creation,
an ideal spiritual remoteness from a painting, which is in
accordance with the closeness with the nature. As well as
chamber music or poetry, these paintings awake the personal
and the deepest in an observer: memories, dreams, quivers,
joys, sadness… Can we and may we ask for more from art? For,
with Vladimir Vojvodic's works, we get to know the truth of
art – celebration and peaceful mind, quietness and abstractness.
Dejan Djoric
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